Geometric patterns make up one of the three non-figural types of decoration in Islamic art, which I prefer to call it as Persian pattern. Because these patterns existed before Islam came to Persia. Whether isolated or used in combination with non-figural ornamentation or figural representation, geometric patterns are popularly associated with Persian art and Islamic art, largely due to their aniconic quality. These abstract designs not only adorn the surfaces of monumental Persian architecture but also function as the major decorative element on a vast array of objects of all types. While geometric ornamentation may have reached a pinnacle in the Islamic world, the sources for both the shapes and the intricate patterns already existed in late antiquity among the Greeks, Romans, and Sasanians in Iran. The significant intellectual contributions of Islamic mathematicians, astronomers, and scientists were essential to the creation of this unique new style. As a matter of fact, geometric ornamentation in Persian and Islamic art suggests a remarkable amount of freedom; in its repetition and complexity, it offers the possibility of infinite growth and can accommodate the incorporation of other types of ornamentation as well. Their abstractness, repetitive motifs, and symmetry are the key elements of them. Persian patterns have the ability to grow infinite but every pattern in every stage of growth is a static and invariant geometric shape. The aim of the project is to create a responsive pattern out of a rigid and static Persian pattern. To make it more changeable. In this project, one more level of change is going to be added to Islamic patterns. Simultaneously while it grows, it can be edited in every stage of growth as well.
The Pattern is going to respond to hand movements via Leap (an external device connected to a computer)  in every stage of its growth. Leap is going to translate physical movement of fingers to a computer. There will be two types of deforming stage for every step. One will be in Z direction and the other one is XY plane. Basically, the project is constituted by two parts, designing and manipulating. The first part of the project, designing the pattern was completely done in Grasshopper and the second part was done by scripting in C# language within the grasshopper. 
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